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The lead-in for tonight tells us the same thing the magic voice promised last night, that everyone, everyone believes Roberta’s lie...except Jeronimo!
Let’s review the critical scene from last night’s conclusion. To quote Marta:
"Fina to Renata: ‘You are the only one to blame for your sister Rob who will NEVER... hear it well, ... NEVER have a baby.. you destroyed her life... and I hope you are happy now.' Nata is frozen,Jero is shocked... Gonzo has a warzone face.. Matt has a questioning glance for Fina.”
Fina continues to blame Renata for pushing her sister down the stairs. Renata denies this as Gonzo tries to calm her down. Matias keeps a low profile until Jero pops in with his two pesos. He still wants a test to prove he’s not the father of Berta’s bebe. Fina says the baby is gone and it doesn’t matter any more. It matters to Jero (as well it should) but now Gonzo and Matias jump on the Fina bandwagon and want Jero to get lost. Nata sees it’s pointless to argue with these ninnies and convinces Jero to leave with her. “See what a shameless hussy (descarada) she is for coming with that lout?” snarls Fina, pointing her finger accusingly at them from under her witches cape.
Fina storms into Roberta’s room to report that everything is arranged and Nata is blamed for Roberta’s accident. Berta points out that without a kid there’s no reason for Matias to stay by her side. Fina insists they’ll figure out a way. Berta points out that mom has been very preoccupied recently; what could be more important than helping Roberta out with the problem that Fina put Berta in the middle of? Fina thought bubbles Gustavo’s warning that an investigator is checking up on her and her darling daughters. She hisses to Berta that she (Fina) has problems that are just as important as Berta’s. It cost a lot to give them the life they are accustomed to and it is still costing her. “Not one reproach more,” she threatens, “is that clear?”
Gonzo and Matias scratch their heads and continue their angst in the hospital waiting room. Matias mentions that yesterday Roberta seemed unsure if the baby was Jeronimo’s, and if it isn’t Jero’s then it must be his own. (Really? What about Rafael?) Matias cries that he still thinks of Renata and he wishes she looked at him the way she looks at Jero. “But she hates Jero,” says Gonzo. Matias points out if that’s hate he would love for Renata to hate him as much.
Jero and Renata stand in front of the hospital and Jero complains that he couldn’t be the baby daddy because he and Roberta never slept together. Sucks to be accused of something you haven’t done, doesn’t it Jero? Renata says the baby’s gone so it doesn’t matter, there’s no point (no tiene caso). But he wants to PROVE it to her! She keeps saying there’s no point, give it a rest. He wouldn’t let her prove she was innocent and she’s not interested in his proof.
Jero says he is innocent, and you know what else? Roberta’s accident was very convenient. It was about the only way for her to avoid a DNA test. Nata doesn’t believe it. Roberta staged the accident that would cause her to lose her baby? “Those are strong words Jeronimo.” (Son palabras mayores).
Padre is advising Ezequiel to forgive Alfonsina. “She loves you but she lost her way, and let he who is without sin cast the first stone.” (Quien esté libre de culpas, que arroje la primera piedra.) Alfonsina arrives on cue and Zeke starts to get mad but she shuts him up by telling him she’s leaving town and leaving the kid behind with dad. “You’re a much better father than I am a mother,” she weeps sincerely, “he’d be better off with you.” Zeke gets a trembly bottom lip.
Jero begs Renata not to close the doors of her life to him. “Dude, you totally slammed that door shut yourself,” she clarifies. “We’re finished here.” (You go girl!!)
Jero calls Coni to tell her something is up with Renata. It’s something more important than his own life. (Well that narrows it down...NOT.)
Honorio reviews the books and sees there is something wrong with the financial statements. He calls Adri to show her things just don’t tally (cuadrar). The income vs expenses don’t correspond. They summon Daniel and demand all the reports for the past three months. Daniel’s shifty eyes dart back and forth suspiciously. He looks scared.
Gonzo, Matias and Fina stand around Berta’s bedside. She weeps crocodile tears (maybe) over her lost baby and lost chance for motherhood. Matias and Gonzo advise her not to give up hope, there are other ways to be a parent. Fina snips at them not to minimize Berta’s grief. Witch. Gonzo calmly tells her that sometimes one’s only hope is to have a positive attitude. This is advice that I’m pretty sure is completely lost on Fina. Berta tells them she’s so sad because Matias only married her for the baby; what will they do now? He says they’ll talk later. She weeps that whatever she felt for him is even stronger now and she’ll never stop thanking him for what he’s done for her. Fina sneers her approval as Matias is crushed by the weight of misplaced guilt.
Nata cries on her bed and asks a comforting Coni why couldn’t SHE (Coni) have been her mother? Why doesn’t her mother love her and why did the man she love betray her? She doesn’t deserve it!
Don’t we deserve a break from all this grief? You bet we do! Carlos leads Matilde to her romantic surprise. Next to a lovely waterfall sits a beautifully set table with flowers and balloons. It’s all for her. Mati can’t speak, a first for her, she can only weep and smile. “Between you and I words aren’t needed,” he says. (Entre tu y yo no hacen falta las palabras.) Dang, this scene was way too short.
Jero returns to the hospital to talk to Roberta’s doctor, Marina Sepulveda. They shake hands, make eye contact, and we just figured out why the beautiful doctor might spill the beans to the handsome, earnest guy in the suit.
Nata and Coni talk about their insane morning and Jero’s suggestion that Berta caused her own accident. Nata can’t believe such a thing unless...unless maybe Berta wasn’t actually pregnant? And she faked it to trap Matias? No, Coni assures her that when Gonzo was in Cuernevaca Berta had fainted, gone to the hospital and they all heard about her condition. Nata sighs and says Fina and Berta will never stop blaming her, Renata, for the accident. “Come and live with me then!” suggests Coni.
Back at the romantic water lunch Carlos and Matilde share stories about when they first loved the other. He was enchanted at first sight. She loved the way he was able to stomach her spicy food. They both want children, but before they discuss that Carlos has a question. He gets on his knees, pulls out a plastic bubble-gum ring and asks Mati to marry him. The girl’s really got the weepies today, she’s dreamed about this moment for so long but never thought it would arrive, boo hoo. She nods yes and a lingering kiss seals the deal. (A plastic ring? Dare I repeat myself...how childish, how silly, how HOT! I thank the telenovela gods for this character. Which reminds me, where’s Lazaro today?) Rewind.
Doc Marina tells Jero she’s sorry but without authorization from Berta or her husband she can’t give him DNA proof on the baby. Jero admits he doesn’t want Berta or her husband to know but he REALLY NEEDS the proof. Sorry, she says, besides, it’s too late to do a DNA test anyway. (Not according to our Doc Carlos!) Jero looks momentarily confused as Doc Marina assures him she’d luuuurve to help him with something else someday but for this particular case...nope.
Carlos and Mati are back at the hacienda basking in their new love when an envelope arrives. It contains the results of Rafa’s necropsy. Carlos calls Jero and 1) excitedly tells him that he and Mati are engaged, then 2) glumly informs him the envelope arrived. “Open it,” instructs Jero. After the obligatory cara impactada Carlos tells Jero he won’t tell him over the phone. What is in this envelope could change Jero’s life. It’s urgent that Jero come home immediately!
Nata is leaving Misery Manor when Augie pops in for a surprise visit. Gosh he looks chipper this morning, whatever could have caused his good mood? Nata looks not quite as pleased as Augie is with himself. He sees her suitcases and wonders is she going to La Bonita? Nope, off to Aunt Coni’s. Augie grabs her suitcases and gives her the card of an excellent lawyer so she can start divorce proceedings immediately. He’s made an appointment for tomorrow and he’d like to go with her. Whoa, Mr. Inappropriate much?
As Matias and Gonzo leave the hospital they run into Regina. Gonzo explains briefly about Berta and Regina says they need to talk. He wants to talk too, Renata told him something that disconcerted him. “Can we meet tonight at my house?” she asks. Gonzo doesn't even bother to hide his joy and happily agrees to meet up later.
Cantu checks in with Antonio via phone booth and mentions something about his cell phone not working. He reports that Regina has already returned to the DF and he will too because the person who has the proof he needs wants to see him in Mexico City. He asks should he take charge for Regina’s security or should he call Gonzo? Tony pitches a fit and says he is the ONLY one who is in charge of Regina’s safety and finding her daughter. Go through him, the little bullfighting Napoleon. These people never learn.
Fina complains to her smitten stoolie that someone is investigating her past and she wants to know who. She needs him now more than ever. He points out that he “needs” her too. If she wants his continued help she'll have to put out what she promised. If she doesn’t want to be his mujer then he can’t help her. He’ll wait for her call. Fina throws dagger eyes at his back. As our esteemed Blusamurai so aptly noted: "So many murders to plan and so little time...whatever is a bumbling would be serial murderer to do?"
Regina and Ines talk about seizing the day and not wasting time. Ines says Andresito gets out of the hospital tomorrow. Cut to the little conehead and papa conehead playing a computer game. Back to the ladies and Ines says with the support of all his friends Andresito is determined to have a positive attitude about recuperating. Ines gossips that she saw Gonzo’s viper of a wife there a few days ago with her daughter who apparently had a miscarriage, but they were only there one day. Regina says that’s odd, Gonzo told her today that Berta just lost her baby. Hmmmmm...
Carlos is stressing about Rafa’s results. He gets serious and asks Matilde on the day of Rafa’s death who was at the hacienda? She recounts what happened: Rafa was alone because she and Laz went into town. When they got home they found him lying in his room. Soon Dr. Nesme and Augustin arrived, and then Padre, and they found a bullet in his stomach. Carlos asks if she remembers anything else? She remembers finding a note from Augustin. “So Augustin was here,” says Carlos. Mati says yes but he said he hadn’t gone to Rafa’s room.
Carlos hands the results to Matilde and it’s her turn for a cara impactada. “This can’t be!” she sobs.
Kari hurries to church and she is stopped by none other than her staggering husband. He slobbers that she is all his. Trying to step around him she tells him he stole her happiness and innocence. He says he’ll never divorce her and she’ll never be free. He grabs her and the padre runs out and calls him a coward, "pick on someone your own size!" Doc slurs to Kari “you’ll alwaysh be tied to me” before he stumbles off.
The Padre apologizes to Kari for not believing her all those numerous times she begged him for help and he refused to believe the obvious truth that was staring him in the face. She says no problem but I say it’s about time.
Carlos tells Mati not a word to anyone until they tell Jero. Manuela, Laz and Herminia rush in to congratulate the pair on their happy news. Laz is happy but also a little worried because Mati is a simple country girl and Carlos is a society guy. What will his parents think? Carlos and Manuela say something about his parents coming to ask for Mati’s hand in marriage? (Ruh roh?) Not sure what that was about. Whatever, the lovebirds want to get married as quickly as possible. Ready the anvils.
Nata, with Augi’s intrusive and unneeded help, has moved into Coni’s place. Jero calls to say he needs to leave but he doesn’t want to go until he clears things up between them. She repeats that they are over but Augie butts in and loudly comments "You want more coffee?!!" so Jero can hear him. Nata hangs up and stalks to her room. Augie thought bubbles, “When will Jeronimo Linares learn to leave her in peace!?”
Split screen of Jero: "Renata te amo, I can’t live without you Renata" and Renata: “What do I do with this love? I don’t want to love you, get out of my life already!"
The end.
Avances: Gustavo annoys Fina. Carlos yells to Jero that someone shot Rafa and Dr. Nesme covered it up.
WEDNESDAY ON COLOR OF PASSION EPISODE 64
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The Old Buzzard de Milagros demand Marcelo tell her the name of the slut who murdered her son. Daniela throws the weight of her long-term relationship with Marc and Millie around and snidely advises Lucia to get used to her being around whether Lucia likes it or not.
• Marc tries to explain to Millie that the woman never murdered his brother. It was his weak-willed brother who went nuts over said woman and did the terrible deed. He won’t tell her because she wants to get even with the woman—an eye for an eye retribution. He lies that he still hasn’t found her out. Millie doesn’t believe him and she’s not leaving town till he tells her the truth. Marc just wants to zone out on pain meds at this point. Lucia warns Rafaela that Millie is about to learn the truth.
• Alonso and Rebeca grouse about Magdalena’s visit. Becca couches it as a lie that Ricardo Marquez told Mags to divide the family and get his grins over it. She is left to look like trash in her sister and the family’s eyes. (--And your point is?) Al says he must have had a reason and he’s heard so much shocking gossip about Becca he’s certain there’s some truth in it.
• Mario calls a halt to the wedding with Mags. He tells her she was pretty selfish just leaving him there to face a guffawing Ricardo earlier. (I’d say more like emotionally scarred.) She apologizes but he isn’t ready to accept cuz it’s obvious that RM still looms larger than life in Mags’ heart and mind while Mario is only playing second fiddle.
• Mario’s priest friend tells him to get over it. It’s more like Mario’s insecurities rather than Mags’s still being in love with the Rickster.
• That evening, Sergio and Amador are still cooling their heels at the police station. RM shows up finally and Serg leaves as Ric makes it obvious his services are no longer required. Rick asks if Am really didn’t call him because he didn’t trust him to back him up with the alibi of their hanging out together the night Ligia was murdered. Am tells him to help him, not to annoy him [jorobar=annoy, bother] and complicate things. Rick reminds him Brigida is waiting at home and ready to bite his head off and throw it in his face.
• Rafe, Marc and Lucia discuss the problem with Millie’s militaristic approach to getting at the truth. Rafe reminds Marc that Mama ain't nobody’s fool and sooner or later will figure it out or something near.
• At the Zoo-niga’s, Am lies like there’s no tomorrow (which Viewerville figures there probably isn’t). Bri is his one and only lover and whoever pointed the finger (the coward) at Rodrigo did it out of jealousy (not so stupid for a ditsy dame)—maybe it even was her own cousin, that Daniela!! She can help him, he tells her, by telling the police that he came home that night before 10PM. Just be darned serious and straight-faced about it and all will believe her and he’ll be.
end parte 1~~
====================
Parte 2~
• Nazario warns Mags that she’s got to get over her past with RM or she will never be able to truly or fully love Mario.
• Rick puts another one past the real estate manager. He gets a bitchy call from Beca and pretends it’s his wife with the cash in the bank.
• Nora pesters—er…pursues her love interest de Marcelo. He tells her to get off his back. She tells him about the kiss she gave him while he was lying unconscious in his hospital bed—Oh, and how he supposedly showed her he liked it…..
• The cops admit they cannot prove anything. It could be Rod, though there were no semen samples at the scene—or it could be Papa Bear. They go into the jail area and confront Am and family with the copy of Ligia’s lease that Am signed. Ruh-Roh!!!!!!! (Amador, yo’ tiiiiiiime is uuuuuuhpp!) Am swallows big time, he tries lying his way out, but nope, neither the cops or The Family are buyin’ it.
• Lety races over to Lucia’s house, upset at her friend for not telling her that Marc got out of the hospital.
• Lalo delivers Marc his car and keys after fixing the flat tire. He tells Marc that he believes Venicio was possibly the one who stabbed him, but with no proof Marc poo-poo’s the idea.
• Lucia comes home and tells Lety, not only is Marc out of the hospital but he and Lucia are now engaged. Lety then informs her that Rod is in jail for Ligia’s murder. Nora later hears them giggling downstairs and throws a fit when Lety lets the cat out of the bag about the engagement. She threats to sleep with Marc—yeah, just like with Rodrigo and more-- in order to prevent their marriage from happening.
• The lead detective accuses Am of losing his head at the sight of his son fooling around with Am’s long-time lover and possibly then killing her out of jealousy. Am tries squirming his way out of it, saying he would never “sacrifice my son for a crime I committed. Come on already!!”
• Rafe lets it escape to Marc that Mama has her skeletons in the closet also.
• Nora races upstairs and scream at Al for allowing Lucia to steal Marco from her. Al tries to use logic and reasoning, saying that Marc is not interested in her. P.E.R.I.O.D. (Bad move with this chic.) Nora is raving mad and believes it was only because Lucia squashed it and stole him from Nora. Al warns her that she’d better grow up and fast or there’ll be consequences she ain’t gonna like a-tall. Al tells Becca about this and tells her that she’s going to need to start getting therapy with Nora per the psych’s recommendations. She refuses. Al walks back inside the house frustrated as ever. Outside walks Lucia a couple minutes later. She gets a chance to give Becca grief about how yes, she will laugh long and loud when Al eventually throws her out on the street—and which may be happening sooner than Becca thinks.
• Bri lets the other lead shoe drop on Amador’s pathetic head: she’s divorcing him and he’ll be out on the street without a pesito to his name. (I guess it was all her money to begin with.)
• Mario arrives with the news and the documents that RM left with him for Al. Al is not surprised, but really disgusted, to learn that the Rickster is Am’s attorney for the dissolution action. Mario advises against Al confronting Rick because certainly he’s laying a trap which he wants them to fall into. (We can all take bets and lay good odds as to whether Al’s going to follow Mario’s advice or not.)
• Becca arrives at Rick’s purloined pad and refuses to pay anymore hush-money (which he needs by the end of the week or he’ll be thrown out on his assets-less hind-quarters. He decides he’ll take it in kind and begins raping her.
The Old Buzzard de Milagros demand Marcelo tell her the name of the slut who murdered her son. Daniela throws the weight of her long-term relationship with Marc and Millie around and snidely advises Lucia to get used to her being around whether Lucia likes it or not.
• Marc tries to explain to Millie that the woman never murdered his brother. It was his weak-willed brother who went nuts over said woman and did the terrible deed. He won’t tell her because she wants to get even with the woman—an eye for an eye retribution. He lies that he still hasn’t found her out. Millie doesn’t believe him and she’s not leaving town till he tells her the truth. Marc just wants to zone out on pain meds at this point. Lucia warns Rafaela that Millie is about to learn the truth.
• Alonso and Rebeca grouse about Magdalena’s visit. Becca couches it as a lie that Ricardo Marquez told Mags to divide the family and get his grins over it. She is left to look like trash in her sister and the family’s eyes. (--And your point is?) Al says he must have had a reason and he’s heard so much shocking gossip about Becca he’s certain there’s some truth in it.
• Mario calls a halt to the wedding with Mags. He tells her she was pretty selfish just leaving him there to face a guffawing Ricardo earlier. (I’d say more like emotionally scarred.) She apologizes but he isn’t ready to accept cuz it’s obvious that RM still looms larger than life in Mags’ heart and mind while Mario is only playing second fiddle.
• Mario’s priest friend tells him to get over it. It’s more like Mario’s insecurities rather than Mags’s still being in love with the Rickster.
• That evening, Sergio and Amador are still cooling their heels at the police station. RM shows up finally and Serg leaves as Ric makes it obvious his services are no longer required. Rick asks if Am really didn’t call him because he didn’t trust him to back him up with the alibi of their hanging out together the night Ligia was murdered. Am tells him to help him, not to annoy him [jorobar=annoy, bother] and complicate things. Rick reminds him Brigida is waiting at home and ready to bite his head off and throw it in his face.
• Rafe, Marc and Lucia discuss the problem with Millie’s militaristic approach to getting at the truth. Rafe reminds Marc that Mama ain't nobody’s fool and sooner or later will figure it out or something near.
• At the Zoo-niga’s, Am lies like there’s no tomorrow (which Viewerville figures there probably isn’t). Bri is his one and only lover and whoever pointed the finger (the coward) at Rodrigo did it out of jealousy (not so stupid for a ditsy dame)—maybe it even was her own cousin, that Daniela!! She can help him, he tells her, by telling the police that he came home that night before 10PM. Just be darned serious and straight-faced about it and all will believe her and he’ll be.
end parte 1~~
====================
Parte 2~
• Nazario warns Mags that she’s got to get over her past with RM or she will never be able to truly or fully love Mario.
• Rick puts another one past the real estate manager. He gets a bitchy call from Beca and pretends it’s his wife with the cash in the bank.
• Nora pesters—er…pursues her love interest de Marcelo. He tells her to get off his back. She tells him about the kiss she gave him while he was lying unconscious in his hospital bed—Oh, and how he supposedly showed her he liked it…..
• The cops admit they cannot prove anything. It could be Rod, though there were no semen samples at the scene—or it could be Papa Bear. They go into the jail area and confront Am and family with the copy of Ligia’s lease that Am signed. Ruh-Roh!!!!!!! (Amador, yo’ tiiiiiiime is uuuuuuhpp!) Am swallows big time, he tries lying his way out, but nope, neither the cops or The Family are buyin’ it.
• Lety races over to Lucia’s house, upset at her friend for not telling her that Marc got out of the hospital.
• Lalo delivers Marc his car and keys after fixing the flat tire. He tells Marc that he believes Venicio was possibly the one who stabbed him, but with no proof Marc poo-poo’s the idea.
• Lucia comes home and tells Lety, not only is Marc out of the hospital but he and Lucia are now engaged. Lety then informs her that Rod is in jail for Ligia’s murder. Nora later hears them giggling downstairs and throws a fit when Lety lets the cat out of the bag about the engagement. She threats to sleep with Marc—yeah, just like with Rodrigo and more-- in order to prevent their marriage from happening.
• The lead detective accuses Am of losing his head at the sight of his son fooling around with Am’s long-time lover and possibly then killing her out of jealousy. Am tries squirming his way out of it, saying he would never “sacrifice my son for a crime I committed. Come on already!!”
• Rafe lets it escape to Marc that Mama has her skeletons in the closet also.
• Nora races upstairs and scream at Al for allowing Lucia to steal Marco from her. Al tries to use logic and reasoning, saying that Marc is not interested in her. P.E.R.I.O.D. (Bad move with this chic.) Nora is raving mad and believes it was only because Lucia squashed it and stole him from Nora. Al warns her that she’d better grow up and fast or there’ll be consequences she ain’t gonna like a-tall. Al tells Becca about this and tells her that she’s going to need to start getting therapy with Nora per the psych’s recommendations. She refuses. Al walks back inside the house frustrated as ever. Outside walks Lucia a couple minutes later. She gets a chance to give Becca grief about how yes, she will laugh long and loud when Al eventually throws her out on the street—and which may be happening sooner than Becca thinks.
• Bri lets the other lead shoe drop on Amador’s pathetic head: she’s divorcing him and he’ll be out on the street without a pesito to his name. (I guess it was all her money to begin with.)
• Mario arrives with the news and the documents that RM left with him for Al. Al is not surprised, but really disgusted, to learn that the Rickster is Am’s attorney for the dissolution action. Mario advises against Al confronting Rick because certainly he’s laying a trap which he wants them to fall into. (We can all take bets and lay good odds as to whether Al’s going to follow Mario’s advice or not.)
• Becca arrives at Rick’s purloined pad and refuses to pay anymore hush-money (which he needs by the end of the week or he’ll be thrown out on his assets-less hind-quarters. He decides he’ll take it in kind and begins raping her.
WEDNESDAY ON REBEL - EPISODE 7 ON JOY PRIME @ 8: AM
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Chased to the edge of a cliff, Gil-dong fearfully looks down at the water and tells Eorini to close her eyes. He takes one last look at his enemies, and as arrows flies towards them, he shields his younger sister from three of the arrows and falls off the cliff.
Unconscious, Gil-dong and Eorini slowly sink underwater, still tied together at the wrists by the cloth. Gil-dong’s family flashes through his memory, and at the memory of Eorini’s desperate call for her orabeoni, Gil-dong’s eyes jerk open underwater. He holds his sister in his arms and swims upward towards land.
Amogae lies on the floor of his cell, beaten to a pulp and barely alive; Gil-hyun limps up the hill, having survived his fights, and calls out for his brother and sister. Though he doesn’t find them, Gil-dong and Eorini are both alive. Gil-dong passes out with three arrows in his back after checking that his sister is breathing, and his sister wakes up to find her brother barely conscious.
Eorini tries to wake her brother, but he can only whimper out: “Water.” Determined to help her brother, Eorini tries to stand up to find water, but she’s pulled back down by the binding cloth. She uses her teeth to rip the cloth and set her wrist free, but something about that makes me nervous.
Eorini finds a frozen pool of water, where she uses a stick to hack away at the ice. She smiles when she finally reaches the water beneath, and a shadow from behind appears. She looks back, hoping to see her brother, but her falling face indicates otherwise. She call for her brother, and that quiet call stirs Gil-dong awake.
Gil-dong opens his eyes and looks shaken to find the undone wrist bondage. He immediately stands up and yells for Eorini, embarking on an urgent search with the arrows still stuck in his back. Gil-dong’s search continues as night becomes morning, and he hopelessly asks a pair of hunters if they had seen a young girl. They shake their heads but look alarmed to see three arrows stuck in his back as he passes.
Clearly losing his sanity, Gil-dong walks through the village seeing every young girl as Eorini, and the villagers are frightened by the sight of the walking dead. He sees a group of girls ushered by Ga-ryung into the gisaeng house, and Gil-dong stumbles along to follow them. He calls out for Eorini as approaches the gibang, pushing and throwing the guards to break entry.
Inside, the gisaeng WOLHAMAE (Hwang Seok-jung) plays a traditional stringed instrument, and the young girls dance to her music. Their dance is interrupted by Gil-dong’s manic search for Eorini, and they all scatter away from him. Nok-soo sees this disturbance from the building across, but it’s quickly ended when someone smacks him on the head with a wooden beater and knocks him unconscious. He falls over the rails, and we see Ga-ryung holding the beater.
Everyone gathers around the unwelcome guest, and when the guards flip him over, Nok-soo and Ga-ryung gasp in recognition. They remember his playful words about their fateful reunion and look at him with worry.
Nok-soo brings Gil-dong inside to treat his wounds, but he seems to be dying, according to the doctor. They clean him up, and Ga-ryung begins to share her reading on Gil-dong’s unfortunate fate, only to be silenced by Nok-soo. Ga-ryung mumbles her thoughts on her way out anyway, and Nok-soo gently smiles at Gil-dong, telling him that they’ve met again.
Ga-ryung retrieves hot water and brings it to Nok-soo, who argues with Wolhamae about taking care of Gil-dong. Wolhamae sees no use in caring for a dying person, but Nok-soo takes the tub of hot water inside for Gil-dong anyway. But she stops in her tracks when she sees Gil-dong awake and upright.
Ga-ryung and Nok-soo watch with surprise as Gil-dong stands up and repeats the same words about his upcoming sister’s birthday and his gift of shoes for her. As he takes small steps forward, he begins to remember everything that’s happened, and his past flashes to the most current events with each continuing step. Overwhelmed by the memories, Gil-dong faints and falls unconscious yet again.
Gil-hyun continues to wobble down the hill calling for his siblings, and he comes upon a small home. Seeking refuge, he enters the home and finds an old man reading at his desk. He tries to shake the man to grab his attention, but the old man simply falls over. Gil-hyun looks alarmed, and we’re unsure of whether the old man is dead, or simply unconscious.
As Gil-dong snores in his deep slumber, Ga-ryung tells Wolhamae and the group of gisaeng that the stranger sleeping in that room is none other than the famous crafty merchant, rumored to help women bear children and achieve the impossible. Cue Gil-dong walking out and scratching his head. He’s completely clueless about where he is.
Under the watch of Nok-soo, Wolhamae, and Ga-ryung, the doctor pokes around Gil-dong to check his vitality. He’s amazed at the miracle of Gil-dong’s survival, but Gil-dong doesn’t seem to remember a thing. He sheds a tear, and Ga-ryung asks why he’s crying. Confused, he wipes his tear and claims that doesn’t know why he’s crying, other than that it’s a symptom of his aching heart. The last thing he remembers is meeting with the other merchants before entering the tiger-infested forest.
Ga-ryung determines that Gil-dong has been bewitched by the tiger and thus, has been turned into an idiot. Gil-dong adorably takes offense to this, but Ga-ryung insists that his memory loss nominates him as an idiot, ha.
Outside, Ga-ryung gossips about idiot Gil-dong, who’s completely lost his memory. A loitering merchant at the house entrance overhears the conversation. Back inside the room, Gil-dong asks to see the arrows that were shot into his back. Nok-soo retrieves them and offers the space to him until he recovers his memory. Wolhamae actively disapproves of this offer, and Gil-dong tries to appease her by calling her “noonim” (the formal version of “older sister”) and then “elder,” but that only angers her more.
As Gil-dong continues to get scolded, Nok-soo thinks back to a conversation with the loitering merchant, who sells mats. As the gisaengs looked over the items, he told them of people who are quicker, stronger, or recover faster than others — people known as the Mighty Child. Wolhamae dismissed such fables, but Nok-soo listened to the merchant’s claims intently. Back in the room, Gil-dong tries calling Wolhamae “halmae” (grandma), which obviously exacerbates the situation even more.
Later, we see Gil-dong working his crafty merchant magic again with the gisaeng ladies while Ga-ryung and Wolhamae shake their heads at his lies. They approach the group, and Wolhamae accuses him of infatuating women with fancy perfumes, but he shakes his head that it’s all a misunderstanding — men won’t fall for women just because of their luxury items. Ga-ryung urges him to continue, and he explains that men don’t look at individual items, but rather the overall aura of the person.
Nok-soo looks amused as she watches from afar, and she’s approached by the loitering merchant, who asks about this new stranger. He’s heard rumors that he recovered after near-death injuries, but Nok-soo lies that the quack doctor didn’t assess the injuries correctly. But the loitering merchant already knows the extent of Gil-dong’s injuries and passively wonders aloud if he’s a Mighty Child who survived.
Flashback to Nok-soo asking about the Might Child to the loitering merchant. He told her that the Mighty Child has “wings” that symbolize varying powers, some even difficult to articulate. He also adds that most Mighty Children die, as it’s as difficult for a Mighty Child to born as it is for one to survive. “However, if one does survive, a Mighty Child is fated to someday change history.”
Back in the present, as Nok-soo watches Gil-dong, we hear the continuing voiceover from the loitering merchant that a Mighty Child may exist somewhere, hiding his wings She looks over at the merchant, who looks pensively at Gil-dong.
As she’s washing the clothing, Ga-ryung asks Nok-soo if she should throw out the cloth that was wrapped around Gil-dong’s wrist. At first, she tells her to throw away the scrap of cloth, but she ends up taking the cloth to return to Gil-dong. Except, she doesn’t return it to Gil-dong. Instead, she stores it in a jewelry box, sensing that it could be important to Gil-dong’s memory.
Gil-dong decides that he’s going to find the owner of the arrows and asks permission from Nok-soo to leave. She assures him that she’ll still house him and asks if he remembers what he said to her the last time they met (that the next time they meet, it would be fate). He doesn’t seem to remember, so she doesn’t linger on the issue and sends him on his way.
After the armorer tells Gil-dong that the arrows are used to hunt animals, Gil-dong finds a group of hunters and asks if they know who these arrows belong to. They can’t identify the owner and laugh at the idiot who can’t remember who shot these arrows at him. Gil-dong laughs along sheepishly and requests to follow them temporarily to find who shot these arrows.
At first, the hunters refuse to adopt him, since they (correctly) presumed that he was seeking revenge. But Gil-dong insists that he just needs to know what accident this forgetful idiot caused. To sell himself, he even shows them how fast he can run. He runs down the hill and looks back with a goofy grin, only to look forward and run into a tree. Haha, what a klutz.
As they unpack gifts from a recent guest, Wolhamae praises Nok-soo for her great work in entertaining their patrons, which has made their house even more vibrant. Nok-soo promises to continue her good work, under the condition that Gil-dong be her drummer. Gil-dong doesn’t seem too confident in his drumming skills, but Nok-soo doesn’t seem to mind. She tells Ga-ryung to come along as well, and she follows along with excitement.
Before Nok-soo begins her singing performance at the patron’s home, they overhear the nobles questioning Nok-soo’s skills as a singer. But as she performs around the room, the men are captured by her song and dance, and one even tries to embrace her before she finishes her song.
The patron requests that Nok-soo sit down and pour alcohol, but Ga-ryung steps in to explain that Nok-soo doesn’t pour alcohol until she finishes her song. Nok-soo explains that alcohol can alter her singing, but the eager friend of the patron tries to force her to join. Gil-dong steps in with a threatening glare, but eases his attitude to provide his version of entertainment.
Gil-dong ends up telling a funny story about a pregnant woman and her suspicious husband, hilariously playing both roles. Ga-ryung and the patrons look amused by the performance, but Nok-soo doesn’t seem to appreciate his intervention.
After their time is done, Nok-soo scolds Gil-dong for stepping in. She claims that she can handle her patrons, but Gil-dong says that he doesn’t like seeing her comply with the patron’s requests. She’s an artist, he says. Nok-soo is more self-deprecating, as she calls herself a gisaeng who simply sings and dances, but he claims otherwise.
Ga-ryung challenges him on how he would know, and he says that he’s traveled the land of Joseon and danced to the song of the birds. He knows why the Jirisan tree blows, and he knows why the river is so blue. So blue, in fact, that it’s sometimes called Nok-soo.
She asks, “Nok-soo?” Gil-dong responds that it’s all because life is unbearably sad, good, and sad again. He walks away with that poetic line, and both Nok-soo and Ga-ryung watch him for a moment, probably swooning inside.
Gil-dong lives busily, working with the hunters and drumming for Nok-soo. He arrives to follow the hunters one day, and they update him that there are new hunters in the area today. Gil-dong readily carries the baggage and heads off, while two hunter thieves sneak up from behind. They’re the same ones that saw Gil-dong walking through the hills with the arrow in his back, and one of the thieves seems to recognize him.
The entertainer trio heads home from another trip, and Gil-dong sees Nok-soo and Ga-ryung struggling to climb down steep stairs in their dresses. He offers to piggyback Nok-soo, and he pulls her onto his back despite her hesitation. She clearly enjoys and appreciates the ride, and jealous Ga-ryung pouts at his gesture. Noticing this, Gil-dong climbs up the stairs to offer her a piggyback ride, and she adorably latches on with the widest smile. So cute.
Back at the gibang, Ga-ryung watches the dancers as Wolhamae plays her string instrument. She mutters that she could probably dance like them, but Wolhamae shakes her head and says that she’s too ugly. Gil-dong shows up and disagrees. He says that Ga-ryung is probably the prettiest in the whole house. Ga-ryung silently watches him leave, alarmed by the sudden confession.
As Ga-ryung empties the clothes to wash, she finds a mirror in the pile and thinks back to Gil-dong’s compliment. She giddily smiles to herself and fixes her hair in the mirror. Still flattered by the compliment on their walk from another job, Ga-ryung asks Gil-dong if he really thinks she’s pretty. He looks at her blankly, and she starts to babble on about what exactly he finds pretty, but when she turns around, she’s talking to herself.
Gil-dong left the conversation to follow Nok-soo, and they hum along to a song. The exchange lines as they sing the song, and she begins to dance as he begins to drum. It’s a beautiful harmony between both voices and a wonderful gift to the ears. Ga-ryung admires her unni’s beauty, and the song continues until Nok-soo sees a young child up the road. The child calls out to her, “Mother.”
Back at the gisaeng house, Nok-soo silently takes off the decorative ornaments in her hair and hands Wolhamae a pouch to relay to her son. Gil-dong takes the pouch to deliver, and he hears Nok-soo say that she does not have the heart or will to be a mother. At that comment, Gil-dong stops at the door and looks to her. She notices his gaze and asks, “Why? Do I seem like a monster?” She looks at herself in the mirror and acknowledges that she is, in fact, a monster.
Gil-dong delivers the money pouch to the young son outside the house, and he tries to offer his scarf to the boy before sending him off. But a greedy man, the son’s father, grabs the money pouch and drags the boy away before Gil-dong can offer anything else. The gisaengs crowd at the entrance of the house and gossip about how Nok-soo has to run from house to house trying to avoid her greedy ex-husband.
Gil-dong enters Nok-soo’s room and reports that he’s delivered the money. She’s cleaning her gayageum, and she tells him that her mother was a head gisaeng. Every time the house owner would change, her mother would serve him, do his laundry, and sleep with him. If the owner liked her mother, they were well off; if he didn’t like her mother, they would starve. So, pleasing the owner was the most important thing to her mother.
She continues her story as Gil-dong stands and listens: One owner had his eyes on Nok-soo, not her mother. So her mother took her to the owner. It was a cold winter, and her mother’s hand was full of sweat. Fascinated, she asked her mother about the tears on her hands. Her mother advised her to treat the magistrate well, in hopes that her daughter wouldn’t live such a difficult life. But Nok-soo could never forgive the shameless men who ordered her mother to sacrifice her daughter like that.
Nok-soo explains that she needed power to throw those bastards into the flames of hell. In the process of hating these people, she says that she’s become empty. Even if her child calls out to her as a mother, her heart is frozen. “I am a monster. I became a monster.”
Gil-dong approaches a crying Nok-soo and comforts her. He pats her shoulder and says that she isn’t a monster, seeing that she’s crying. He pulls away from the embrace and reminds her of what he said when the first met — that the next time they met, it would be fate.
She looks surprised at his memory, and he leans in for a gentle kiss. Gil-dong pulls away, and they look at each other with tearful gazes. He goes in for another kiss, and they hold hands fondly.
The next morning, Nok-soo looks at the wrist cloth as Gil-dong sleeps in her bed. She looks hesitant about what to do with it. While she’s out, the loitering merchant sneaks into the room and uses a glowing piece of coal to scorch Gil-dong’s side. He yells in pain as he jerks awake, and the merchant pretends that he made a terrible mistake and runs out to get help.
The merchant’s run becomes a walk, and Nok-soo follows him to find out why he would do such a thing. He says that he’s heard the rumors, so now he can see for himself whether this person is actually a Mighty Child who could change history.
Later that night, the merchant looks through a hole in the door to the bath, stealthily watching for Gil-dong’s injury. He sees that the burn is almost completely healed, but this peeping Tom is caught red-handed by Ga-ryung. She scolds him for watching someone bathe and checks to see who he’s looking at. She sees that it’s Gil-dong and looks enamored for a moment before she snaps out of it. She turns around to scold the merchant some more, but he’s disappeared.
Ga-ryung turns back to look through the hole, but she doesn’t see anyone inside. Someone grabs her ear and pulls her away from the door — it’s Gil-dong! She tries to explain that it wasn’t her looking (technically, it was), but he doesn’t believe her. In her escape, she bites his arm and sticks her tongue out, saying that there was nothing to see anyway.
After Ga-ryung runs away, Nok-soo comes with a new set of clothes. She covers him up and tells him to wait for her in the room. They look at each other lovingly, and Ga-ryung watches curiously.
As Gil-dong heads to the room, the merchant asks him about his injury. He tries to pretend that he’s just a merchant who sells mats, but Gil-dong can see through his disguise. So the merchant explains that someone requested for him to find some strange things — things that the heavens mistakenly spit out, possibly something like a Mighty Child.
Nok-soo watches from afar, and Gil-dong tells the merchant that no such thing exits. The merchant grabs Gil-dong and asks him to answer one last question. We don’t hear the conversation, but we see a satisfied merchant talking his leave from the house. As he heads out, Nok-soo asks if he got his answer, and if Gil-dong is indeed the Mighty Child. The merchant simply shrugs and says that he’ll tell her during his next visit. Then the skies begin to thunder, which can only mean that bad things are ahead.
At the palace, Prince Yeonsangun rushes to his ill father’s side with his clothes robe barely on him. His weak father tells the prince to properly wear his robe, and Yeonsangun follows orders through his tears. Outside, rows of officials bow in mourning of the king’s deathbed, and the king tells his son how he must navigate the throne.
The king says that the officials are the pulse of Joseon. Yeonsangun doesn’t seem to agree, asking if they must believe every ridiculous claim that the officials make. The king sits up and tells his son that he’s been suspicious of his officials, but Yeonsangun doesn’t let him finish his argument. He asks if it’s the will of the officials to kill off the queen.
He leans in close and asks his father if he really thought that his own son wouldn’t know about his father killing his mother. He’s proclaims that he’s the son of the late dethroned queen, and the king begins to throw up blood, close to death.
In the woods, Gil-dong sits with the hunters and tells them that he should look elsewhere for information on the arrows. Suddenly, a hunter spots thieves taking their animals,and Gil-dong voluntarily chases after them. He grabs one, and the thief’s pleas are quieted upon recognition of Gil-dong. The recognition stirs Gil-dong’s memory, and the pieces have finally come together.
Gil-dong walks through the village in a daze, numb to the pain that he’s finally remembered. The villagers in the town rush into the streets dressed in all white, signifying that the king has passed away. They run into Gil-dong, but he’s too shocked to process anything else happening around him.
We see a wrist with the cloth, and it’s Eorini. She’s alive! She sits in the corner of a room, looking hopeless and bedraggled. The door to the room opens, but we don’t see who it is.
Gil-hyun looks through the old deceased man’s books and finds the man’s will, which asks for any passerby to fulfill his wishes. Then we see Magistrate Eom dressed in all white as he approaches an isolated home. He tells someone inside that it’s him and that there’s nobody around. He gets a snore in response, so he opens the door. A man with his long hair undone looks up. It’s Amogae.
Chased to the edge of a cliff, Gil-dong fearfully looks down at the water and tells Eorini to close her eyes. He takes one last look at his enemies, and as arrows flies towards them, he shields his younger sister from three of the arrows and falls off the cliff.
Unconscious, Gil-dong and Eorini slowly sink underwater, still tied together at the wrists by the cloth. Gil-dong’s family flashes through his memory, and at the memory of Eorini’s desperate call for her orabeoni, Gil-dong’s eyes jerk open underwater. He holds his sister in his arms and swims upward towards land.
Amogae lies on the floor of his cell, beaten to a pulp and barely alive; Gil-hyun limps up the hill, having survived his fights, and calls out for his brother and sister. Though he doesn’t find them, Gil-dong and Eorini are both alive. Gil-dong passes out with three arrows in his back after checking that his sister is breathing, and his sister wakes up to find her brother barely conscious.
Eorini tries to wake her brother, but he can only whimper out: “Water.” Determined to help her brother, Eorini tries to stand up to find water, but she’s pulled back down by the binding cloth. She uses her teeth to rip the cloth and set her wrist free, but something about that makes me nervous.
Eorini finds a frozen pool of water, where she uses a stick to hack away at the ice. She smiles when she finally reaches the water beneath, and a shadow from behind appears. She looks back, hoping to see her brother, but her falling face indicates otherwise. She call for her brother, and that quiet call stirs Gil-dong awake.
Gil-dong opens his eyes and looks shaken to find the undone wrist bondage. He immediately stands up and yells for Eorini, embarking on an urgent search with the arrows still stuck in his back. Gil-dong’s search continues as night becomes morning, and he hopelessly asks a pair of hunters if they had seen a young girl. They shake their heads but look alarmed to see three arrows stuck in his back as he passes.
Clearly losing his sanity, Gil-dong walks through the village seeing every young girl as Eorini, and the villagers are frightened by the sight of the walking dead. He sees a group of girls ushered by Ga-ryung into the gisaeng house, and Gil-dong stumbles along to follow them. He calls out for Eorini as approaches the gibang, pushing and throwing the guards to break entry.
Inside, the gisaeng WOLHAMAE (Hwang Seok-jung) plays a traditional stringed instrument, and the young girls dance to her music. Their dance is interrupted by Gil-dong’s manic search for Eorini, and they all scatter away from him. Nok-soo sees this disturbance from the building across, but it’s quickly ended when someone smacks him on the head with a wooden beater and knocks him unconscious. He falls over the rails, and we see Ga-ryung holding the beater.
Everyone gathers around the unwelcome guest, and when the guards flip him over, Nok-soo and Ga-ryung gasp in recognition. They remember his playful words about their fateful reunion and look at him with worry.
Nok-soo brings Gil-dong inside to treat his wounds, but he seems to be dying, according to the doctor. They clean him up, and Ga-ryung begins to share her reading on Gil-dong’s unfortunate fate, only to be silenced by Nok-soo. Ga-ryung mumbles her thoughts on her way out anyway, and Nok-soo gently smiles at Gil-dong, telling him that they’ve met again.
Ga-ryung retrieves hot water and brings it to Nok-soo, who argues with Wolhamae about taking care of Gil-dong. Wolhamae sees no use in caring for a dying person, but Nok-soo takes the tub of hot water inside for Gil-dong anyway. But she stops in her tracks when she sees Gil-dong awake and upright.
Ga-ryung and Nok-soo watch with surprise as Gil-dong stands up and repeats the same words about his upcoming sister’s birthday and his gift of shoes for her. As he takes small steps forward, he begins to remember everything that’s happened, and his past flashes to the most current events with each continuing step. Overwhelmed by the memories, Gil-dong faints and falls unconscious yet again.
Gil-hyun continues to wobble down the hill calling for his siblings, and he comes upon a small home. Seeking refuge, he enters the home and finds an old man reading at his desk. He tries to shake the man to grab his attention, but the old man simply falls over. Gil-hyun looks alarmed, and we’re unsure of whether the old man is dead, or simply unconscious.
As Gil-dong snores in his deep slumber, Ga-ryung tells Wolhamae and the group of gisaeng that the stranger sleeping in that room is none other than the famous crafty merchant, rumored to help women bear children and achieve the impossible. Cue Gil-dong walking out and scratching his head. He’s completely clueless about where he is.
Under the watch of Nok-soo, Wolhamae, and Ga-ryung, the doctor pokes around Gil-dong to check his vitality. He’s amazed at the miracle of Gil-dong’s survival, but Gil-dong doesn’t seem to remember a thing. He sheds a tear, and Ga-ryung asks why he’s crying. Confused, he wipes his tear and claims that doesn’t know why he’s crying, other than that it’s a symptom of his aching heart. The last thing he remembers is meeting with the other merchants before entering the tiger-infested forest.
Ga-ryung determines that Gil-dong has been bewitched by the tiger and thus, has been turned into an idiot. Gil-dong adorably takes offense to this, but Ga-ryung insists that his memory loss nominates him as an idiot, ha.
Outside, Ga-ryung gossips about idiot Gil-dong, who’s completely lost his memory. A loitering merchant at the house entrance overhears the conversation. Back inside the room, Gil-dong asks to see the arrows that were shot into his back. Nok-soo retrieves them and offers the space to him until he recovers his memory. Wolhamae actively disapproves of this offer, and Gil-dong tries to appease her by calling her “noonim” (the formal version of “older sister”) and then “elder,” but that only angers her more.
As Gil-dong continues to get scolded, Nok-soo thinks back to a conversation with the loitering merchant, who sells mats. As the gisaengs looked over the items, he told them of people who are quicker, stronger, or recover faster than others — people known as the Mighty Child. Wolhamae dismissed such fables, but Nok-soo listened to the merchant’s claims intently. Back in the room, Gil-dong tries calling Wolhamae “halmae” (grandma), which obviously exacerbates the situation even more.
Later, we see Gil-dong working his crafty merchant magic again with the gisaeng ladies while Ga-ryung and Wolhamae shake their heads at his lies. They approach the group, and Wolhamae accuses him of infatuating women with fancy perfumes, but he shakes his head that it’s all a misunderstanding — men won’t fall for women just because of their luxury items. Ga-ryung urges him to continue, and he explains that men don’t look at individual items, but rather the overall aura of the person.
Nok-soo looks amused as she watches from afar, and she’s approached by the loitering merchant, who asks about this new stranger. He’s heard rumors that he recovered after near-death injuries, but Nok-soo lies that the quack doctor didn’t assess the injuries correctly. But the loitering merchant already knows the extent of Gil-dong’s injuries and passively wonders aloud if he’s a Mighty Child who survived.
Flashback to Nok-soo asking about the Might Child to the loitering merchant. He told her that the Mighty Child has “wings” that symbolize varying powers, some even difficult to articulate. He also adds that most Mighty Children die, as it’s as difficult for a Mighty Child to born as it is for one to survive. “However, if one does survive, a Mighty Child is fated to someday change history.”
Back in the present, as Nok-soo watches Gil-dong, we hear the continuing voiceover from the loitering merchant that a Mighty Child may exist somewhere, hiding his wings She looks over at the merchant, who looks pensively at Gil-dong.
As she’s washing the clothing, Ga-ryung asks Nok-soo if she should throw out the cloth that was wrapped around Gil-dong’s wrist. At first, she tells her to throw away the scrap of cloth, but she ends up taking the cloth to return to Gil-dong. Except, she doesn’t return it to Gil-dong. Instead, she stores it in a jewelry box, sensing that it could be important to Gil-dong’s memory.
Gil-dong decides that he’s going to find the owner of the arrows and asks permission from Nok-soo to leave. She assures him that she’ll still house him and asks if he remembers what he said to her the last time they met (that the next time they meet, it would be fate). He doesn’t seem to remember, so she doesn’t linger on the issue and sends him on his way.
After the armorer tells Gil-dong that the arrows are used to hunt animals, Gil-dong finds a group of hunters and asks if they know who these arrows belong to. They can’t identify the owner and laugh at the idiot who can’t remember who shot these arrows at him. Gil-dong laughs along sheepishly and requests to follow them temporarily to find who shot these arrows.
At first, the hunters refuse to adopt him, since they (correctly) presumed that he was seeking revenge. But Gil-dong insists that he just needs to know what accident this forgetful idiot caused. To sell himself, he even shows them how fast he can run. He runs down the hill and looks back with a goofy grin, only to look forward and run into a tree. Haha, what a klutz.
As they unpack gifts from a recent guest, Wolhamae praises Nok-soo for her great work in entertaining their patrons, which has made their house even more vibrant. Nok-soo promises to continue her good work, under the condition that Gil-dong be her drummer. Gil-dong doesn’t seem too confident in his drumming skills, but Nok-soo doesn’t seem to mind. She tells Ga-ryung to come along as well, and she follows along with excitement.
Before Nok-soo begins her singing performance at the patron’s home, they overhear the nobles questioning Nok-soo’s skills as a singer. But as she performs around the room, the men are captured by her song and dance, and one even tries to embrace her before she finishes her song.
The patron requests that Nok-soo sit down and pour alcohol, but Ga-ryung steps in to explain that Nok-soo doesn’t pour alcohol until she finishes her song. Nok-soo explains that alcohol can alter her singing, but the eager friend of the patron tries to force her to join. Gil-dong steps in with a threatening glare, but eases his attitude to provide his version of entertainment.
Gil-dong ends up telling a funny story about a pregnant woman and her suspicious husband, hilariously playing both roles. Ga-ryung and the patrons look amused by the performance, but Nok-soo doesn’t seem to appreciate his intervention.
After their time is done, Nok-soo scolds Gil-dong for stepping in. She claims that she can handle her patrons, but Gil-dong says that he doesn’t like seeing her comply with the patron’s requests. She’s an artist, he says. Nok-soo is more self-deprecating, as she calls herself a gisaeng who simply sings and dances, but he claims otherwise.
Ga-ryung challenges him on how he would know, and he says that he’s traveled the land of Joseon and danced to the song of the birds. He knows why the Jirisan tree blows, and he knows why the river is so blue. So blue, in fact, that it’s sometimes called Nok-soo.
She asks, “Nok-soo?” Gil-dong responds that it’s all because life is unbearably sad, good, and sad again. He walks away with that poetic line, and both Nok-soo and Ga-ryung watch him for a moment, probably swooning inside.
Gil-dong lives busily, working with the hunters and drumming for Nok-soo. He arrives to follow the hunters one day, and they update him that there are new hunters in the area today. Gil-dong readily carries the baggage and heads off, while two hunter thieves sneak up from behind. They’re the same ones that saw Gil-dong walking through the hills with the arrow in his back, and one of the thieves seems to recognize him.
The entertainer trio heads home from another trip, and Gil-dong sees Nok-soo and Ga-ryung struggling to climb down steep stairs in their dresses. He offers to piggyback Nok-soo, and he pulls her onto his back despite her hesitation. She clearly enjoys and appreciates the ride, and jealous Ga-ryung pouts at his gesture. Noticing this, Gil-dong climbs up the stairs to offer her a piggyback ride, and she adorably latches on with the widest smile. So cute.
Back at the gibang, Ga-ryung watches the dancers as Wolhamae plays her string instrument. She mutters that she could probably dance like them, but Wolhamae shakes her head and says that she’s too ugly. Gil-dong shows up and disagrees. He says that Ga-ryung is probably the prettiest in the whole house. Ga-ryung silently watches him leave, alarmed by the sudden confession.
As Ga-ryung empties the clothes to wash, she finds a mirror in the pile and thinks back to Gil-dong’s compliment. She giddily smiles to herself and fixes her hair in the mirror. Still flattered by the compliment on their walk from another job, Ga-ryung asks Gil-dong if he really thinks she’s pretty. He looks at her blankly, and she starts to babble on about what exactly he finds pretty, but when she turns around, she’s talking to herself.
Gil-dong left the conversation to follow Nok-soo, and they hum along to a song. The exchange lines as they sing the song, and she begins to dance as he begins to drum. It’s a beautiful harmony between both voices and a wonderful gift to the ears. Ga-ryung admires her unni’s beauty, and the song continues until Nok-soo sees a young child up the road. The child calls out to her, “Mother.”
Back at the gisaeng house, Nok-soo silently takes off the decorative ornaments in her hair and hands Wolhamae a pouch to relay to her son. Gil-dong takes the pouch to deliver, and he hears Nok-soo say that she does not have the heart or will to be a mother. At that comment, Gil-dong stops at the door and looks to her. She notices his gaze and asks, “Why? Do I seem like a monster?” She looks at herself in the mirror and acknowledges that she is, in fact, a monster.
Gil-dong delivers the money pouch to the young son outside the house, and he tries to offer his scarf to the boy before sending him off. But a greedy man, the son’s father, grabs the money pouch and drags the boy away before Gil-dong can offer anything else. The gisaengs crowd at the entrance of the house and gossip about how Nok-soo has to run from house to house trying to avoid her greedy ex-husband.
Gil-dong enters Nok-soo’s room and reports that he’s delivered the money. She’s cleaning her gayageum, and she tells him that her mother was a head gisaeng. Every time the house owner would change, her mother would serve him, do his laundry, and sleep with him. If the owner liked her mother, they were well off; if he didn’t like her mother, they would starve. So, pleasing the owner was the most important thing to her mother.
She continues her story as Gil-dong stands and listens: One owner had his eyes on Nok-soo, not her mother. So her mother took her to the owner. It was a cold winter, and her mother’s hand was full of sweat. Fascinated, she asked her mother about the tears on her hands. Her mother advised her to treat the magistrate well, in hopes that her daughter wouldn’t live such a difficult life. But Nok-soo could never forgive the shameless men who ordered her mother to sacrifice her daughter like that.
Nok-soo explains that she needed power to throw those bastards into the flames of hell. In the process of hating these people, she says that she’s become empty. Even if her child calls out to her as a mother, her heart is frozen. “I am a monster. I became a monster.”
Gil-dong approaches a crying Nok-soo and comforts her. He pats her shoulder and says that she isn’t a monster, seeing that she’s crying. He pulls away from the embrace and reminds her of what he said when the first met — that the next time they met, it would be fate.
She looks surprised at his memory, and he leans in for a gentle kiss. Gil-dong pulls away, and they look at each other with tearful gazes. He goes in for another kiss, and they hold hands fondly.
The next morning, Nok-soo looks at the wrist cloth as Gil-dong sleeps in her bed. She looks hesitant about what to do with it. While she’s out, the loitering merchant sneaks into the room and uses a glowing piece of coal to scorch Gil-dong’s side. He yells in pain as he jerks awake, and the merchant pretends that he made a terrible mistake and runs out to get help.
The merchant’s run becomes a walk, and Nok-soo follows him to find out why he would do such a thing. He says that he’s heard the rumors, so now he can see for himself whether this person is actually a Mighty Child who could change history.
Later that night, the merchant looks through a hole in the door to the bath, stealthily watching for Gil-dong’s injury. He sees that the burn is almost completely healed, but this peeping Tom is caught red-handed by Ga-ryung. She scolds him for watching someone bathe and checks to see who he’s looking at. She sees that it’s Gil-dong and looks enamored for a moment before she snaps out of it. She turns around to scold the merchant some more, but he’s disappeared.
Ga-ryung turns back to look through the hole, but she doesn’t see anyone inside. Someone grabs her ear and pulls her away from the door — it’s Gil-dong! She tries to explain that it wasn’t her looking (technically, it was), but he doesn’t believe her. In her escape, she bites his arm and sticks her tongue out, saying that there was nothing to see anyway.
After Ga-ryung runs away, Nok-soo comes with a new set of clothes. She covers him up and tells him to wait for her in the room. They look at each other lovingly, and Ga-ryung watches curiously.
As Gil-dong heads to the room, the merchant asks him about his injury. He tries to pretend that he’s just a merchant who sells mats, but Gil-dong can see through his disguise. So the merchant explains that someone requested for him to find some strange things — things that the heavens mistakenly spit out, possibly something like a Mighty Child.
Nok-soo watches from afar, and Gil-dong tells the merchant that no such thing exits. The merchant grabs Gil-dong and asks him to answer one last question. We don’t hear the conversation, but we see a satisfied merchant talking his leave from the house. As he heads out, Nok-soo asks if he got his answer, and if Gil-dong is indeed the Mighty Child. The merchant simply shrugs and says that he’ll tell her during his next visit. Then the skies begin to thunder, which can only mean that bad things are ahead.
At the palace, Prince Yeonsangun rushes to his ill father’s side with his clothes robe barely on him. His weak father tells the prince to properly wear his robe, and Yeonsangun follows orders through his tears. Outside, rows of officials bow in mourning of the king’s deathbed, and the king tells his son how he must navigate the throne.
The king says that the officials are the pulse of Joseon. Yeonsangun doesn’t seem to agree, asking if they must believe every ridiculous claim that the officials make. The king sits up and tells his son that he’s been suspicious of his officials, but Yeonsangun doesn’t let him finish his argument. He asks if it’s the will of the officials to kill off the queen.
He leans in close and asks his father if he really thought that his own son wouldn’t know about his father killing his mother. He’s proclaims that he’s the son of the late dethroned queen, and the king begins to throw up blood, close to death.
In the woods, Gil-dong sits with the hunters and tells them that he should look elsewhere for information on the arrows. Suddenly, a hunter spots thieves taking their animals,and Gil-dong voluntarily chases after them. He grabs one, and the thief’s pleas are quieted upon recognition of Gil-dong. The recognition stirs Gil-dong’s memory, and the pieces have finally come together.
Gil-dong walks through the village in a daze, numb to the pain that he’s finally remembered. The villagers in the town rush into the streets dressed in all white, signifying that the king has passed away. They run into Gil-dong, but he’s too shocked to process anything else happening around him.
We see a wrist with the cloth, and it’s Eorini. She’s alive! She sits in the corner of a room, looking hopeless and bedraggled. The door to the room opens, but we don’t see who it is.
Gil-hyun looks through the old deceased man’s books and finds the man’s will, which asks for any passerby to fulfill his wishes. Then we see Magistrate Eom dressed in all white as he approaches an isolated home. He tells someone inside that it’s him and that there’s nobody around. He gets a snore in response, so he opens the door. A man with his long hair undone looks up. It’s Amogae.
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