LIKE TO APPRECIATE, COMMENT AND SHARE
Ri-jin and Ri-on come home from walking their dog. Ri-jin’s impersonation of flirty Yo-na quickly persuades her brother to get the dog’s food.
While she waits, Ri-jin receives a visitor: Se-gi apologizes for being late.
He wants Ri-jin to run away with him, away from their terrible memories. Both of them remember their childhood promise to run away together somewhere far away, and deliberately echoing her past self, Ri-jin says she doesn’t have money. Se-gi acknowledges it with a smile and repeats his reply then — he has lots. She takes his outstretched hand.
Ri-on finds out by text from Ri-jin that she’s left with Se-gi. Another message tells him not to worry, she can handle Se-gi.
Aww it’s the return of the Segimobile (which is a Ford Mustang, not a Ferrari — apologies!). They drive, while in voiceover, we hear the rest of her message to Ri-on. She tells him how Se-gi is the most wounded piece of Do-hyun. She’s connected to him by a common wound, so examining his is the same as examining her own, and that’s what she means to do.
Se-gi asks Ri-jin where she wants to go — her wish is his command. She asks him why he acted like he didn’t know her when they first met. Se-gi didn’t want her painful memories to surface, and confesses that he hoped she would choose him with or without them. He asks if she already remembered everything, and she’s surprised that he knows about that.
Se-gi explains how he shared memories with Do-hyun. Ri-jin finds out Do-hyun discovered the truth about his/her name, and Se-gi says the shock was so deep it made him check out.
Ri-jin asks how he came to take the name Cha Do-hyun, and we go back to the day of the fire. Little Se-gi throws a lit match on the spilled kerosene. The fire catches immediately, whooshing under the locked door, into the basement room where his dad and Ri-jin are. Dad struggles out, and catching sight of his son, calls out, “Joon-young!”
One look at his face makes Dad realize Joon-young must have set the fire. But the boy faints, and choking on smoke, Dad brings him out. Joon-young comes around and cries for Dad to rescue Do-hyun.
Dad passes his son onto a firefighter and runs back inside. Joon-young is rushed to an ambulance, unconscious, while a paramedic tries to rouse him. She repeatedly asks him his name. Struggling, he replies, “Cha…Do-hyun. My name is Cha Do-hyun.” Oh. He cries inside that it’s his fault.
Dad returns to the inferno for Do-hyun, frantically calling her name. Grandma’s voice narrates the last thing Dad said before his coma: that when he went back for her, she was already gone. We see Ri-jin’s mom at the scene of the fire, hurrying away with a hidden bundle — the girl, Do-hyun.
Grandma’s voiceover continues: Some days later, she got a letter from a friend of Seo-yeon, asking her not to look for the girl. In the fiery basement, Dad collapses.
In the time following the incident, Joon-young doesn’t respond to his name, no matter how much his mom calls him. She tries, “Do-hyun?” and he turns around immediately. Oh my chills.
Mom gathers him up in an embrace. With tears in her eyes, she agrees that he should forget everything — the fire, his father, the girl and what happened in the basement, even his own name. He can just be Cha Do-hyun, the sole heir to Seungjin.
In the present, Se-gi tells Ri-jin that young Joon-young believed she had died in the fire that day, and out of his despair and guilt, his mind created an alter in the image of her seven-year-old self. Ri-jin finally understands the mystery of “Nana,” a personality who had been dormant until Do-hyun met Ri-jin again now.
Ri-jin asks if the fire happened because of her. Se-gi replies that it was to save her. She argues that he could have died, but he smiles that she lived. We cut back to when Do-hyun found out the truth about who set the fire. Grandma realizes that his mind must have broken back then. He stumbles out, head ringing.
Memories loop and mix. Little Ri-jin’s voice inviting him to play overlaps with mom’s telling him to stay as Do-hyun. His child-self pounds at the basement door and Dad punishes Ri-jin. Se-gi revisits the memory of the scene of the fire, the first time he appeared. Looking over his younger self with sad satisfaction, he thinks, “The one who saved that child was me.”
Ri-jin worries that Do-hyun’s DID happened because of her, but their conversation is cut short when Se-gi gets a phonecall from Alex, the U.S. friend Ki-joon was investigating. He tells Se-gi that he was offered half a million for his secrets. He needs the money, but he wants his friend to make a better offer, and they arrange to meet.
Ki-joon’s secretary reports to his boss about their offer to Alex, and also tells him about the man’s gambling debt. Alex claims to know explosive secrets about Do-hyun that will ruin Seungjin, and will go to the papers unless they buy it. Ki-joon is reluctant to go along with his terms.
Se-gi tells Ri-jin that Alex is a parasite who’s lived off threatening Do-hyun since high school. While he rants about killing him, Ri-jin thumbs off a secret text to Chief Ahn about Se-gi, Alex and where they’re going.
They arrive at the meeting place and Se-gi tells Ri-jin to stay in the car. She tells him to stay — she’ll deal with this. Even though her contract with Do-hyun was terminated, her deal with Se-gi stands, which means no violence and no ruining reputations. She reminds him that he said her word was law. Trapped by his own promises, he can only curse.
The darkness of the warehouse makes her nervous. She looks for Alex, who suddenly emerges from the shadows. She introduces herself as Do-hyun’s secretary, and he tells her to double Ki-joon’s offer. But giving her a once over, he leers that he could take Ki-joon’s money if she’ll get friendly with him.
Ri-jin backs away as Alex steps closer. She flails madly, and somehow (lol hooowww?) she ends up with her fingers rammed up Alex’s nose. He bleeds and swears and oh my god, help, I’m dying so hard here.
Outside, Se-gi paces and curses, but Ri-jin’s scream sends him inside. Alex has her backed up with his hand over her mouth when Se-gi flies at him. He pulls out a knife, and Se-gi blocks it with his bare hand. He’s so enraged Alex messed with his woman that he begins to choke him.
He’s deaf to Ri-jin’s entreaties to stop, and she screams, “Cha Do-hyun!” The effect is immediate — Do-hyun returns.
In the car, Ri-jin bandages his hand. While she chatters, he just stares at her. Finding his voice, he asks if she remembers about the name “Cha Do-hyun.” He apologizes taking over her name.
He tells her, smiling, how much he likes the way she calls his name. She asks him not to be sorry towards her. Among her painful memories were also good ones, she says, such as her mom rescuing her, and little Cha-gun who kept his promise to meet her every night. When she was scared and alone, he was there for her: “The reason why my mind wasn’t shattered into pieces was probably because of you, Cha Do-hyun.”
Crying, she apologizes. Because of her, his mind was shattered. She acknowledges how hard he struggled against his other personalities, in order to protect that name. “So I’ll give it you as a gift, the name ‘Cha Do-hyun,'” she tells him. He wells up.
She instructs him to answer confidently, “I’m Cha Do-hyun,” when anyone asks, just like he used to. He wipes her tears, and the background song is perfect: “Although I can’t say ‘I love you’…I love you.”
It’s late by the time Do-hyun drops Ri-jin home. He says goodbye (but why does it still sound so final?) by telling her to be well. But everything he wishes, she turns back on him: He shouldn’t be in pain anymore, or have nightmares, or worry about her.
After she leaves, Do-hyun clutches his ringing head. A moment later…oh lol, it’s Perry Park! Dad (who finally meets the real Perry) runs into him, and is so pleased that he keeps clapping him on the head with excitement, much to Perry’s disgruntlement. Perry perks up at the mention of fishing, and the two ajusshis fall into easy banter.
Dad takes him in for a drink, and they call the (very confused) kids to join them. Dad wants to adopt Perry as his little bro instead of Ri-on’s friend, and Perry immediately calls Dad ‘hyungnim’. Dad is so happy that he orders out the special liquor, which Ri-on objects to since Dad doesn’t even give it to him.
Perry compliments Dad, saying that his daughter grew up well because her dad was so great. She’s strong and has a loyal heart — but, he confides, she really can’t dance. Dad is suspicious that they’re dating, but Perry easily dismisses it, telling hyungnim to perish the thought.
Just as he’s about to drink the hallowed liquor, his consciousness interferes. He struggles to just take one sip, but ultimately fails. He spills the precious drink and knocks out. This is the twins’ cue to rush him away before he exposes himself.
They deposit him on Ri-on’s bed. He asks Ri-jin what’s going on. But she’s as confused as he is, and they leave to discuss it. On the bed, Se-gi twitches and comes around. But I’m thinking that ain’t Se-gi…
Over tea, the siblings try to figure it out. Ri-jin thinks that because Do-hyun has been going through so much lately, the instability of his core made the alters come out. Ri-on offers his writer’s point of view, that it’s his subconscious way of staying around Ri-jin, since he can’t do that when he’s himself. But he also thinks the alters are the right people to regulate him in his shaken condition.
Returning to his room, Ri-on is shocked to find it empty. Ri-jin, on the other hand — ohh it’s Yo-sub! Wearing Ri-on’s glasses, lol.
She’s happy to see him, and the way he calls her noona squeezes my heart. He’s been reading Omega, but he doesn’t like it — it’s too lightweight, “It feels like a gash on my soul.” He confides that he wants to write a beautiful poem, but worries that time isn’t on his side. Her face fills with sorrow.
She asks him why his name is Yo-sub. He tells her about the first time he attempted suicide in high school. It sent shockwaves through his mission school, where he was then baptized and given a Christian name (“Yo-sub” is the Korean version of “Joseph”). He also tells her that he always wished he could be his sister, Yo-na (who, like her namesake Jonah, thirsts to live).
Yo-sub thinks Do-hyun is done with thoughts of suicide now. Since he doesn’t know how much time he has until he disappears, Yo-sub wants to say his goodbyes. He comes over to Ri-jin and crouches until their eyes are level. He leans in and drops a chaste kiss on her cheek.
Ri-on bursts in at the wrongest moment. He bellows at “Perry Park” for hitting on his sister and flings poor Yo-sub to the floor. But when Ri-jin tells him it wasn’t Perry, it’s too late — Yo-sub is out, and…
“Oppa~!” squeals Yo-na. Ri-on covers his ears and tries to pretend her away, which obviously doesn’t work. She tacklehugs him to the floor, intent on showering him with kisses, while Ri-jin laughs at him.
Clad in her favorite bunny pyjamas, Yo-na presides over the twins’ argument about where she’ll sleep. Ri-jin says a man can’t sleep in her room, while Ri-on splutters that he certainly can’t have a girl in his. Yo-na tires of their squabbling and makes an executive decision — Oppa’s room it is! The siblings vehemently object, leaving only one way to resolve their impasse…
Rock, Paper, Scissors: Ri-jin loses.
Yo-na primps in front of Ri-jin’s mirror, which makes Ri-jin suspicious. What’s she getting pretty for in the middle of the night? She suggests they go out for ssambap, which Ri-jin doesn’t even need to shoot down.
Next, Yo-na oh-so-casually says she’s off to the bathroom, but Ri-jin’s got her number — she knows Yo-na is looking for any excuse to be with Oppa. Yo-na’s frustration at being foiled makes her claim the bed, but Ri-jin orders her to the floor. Ohmylols, Yo-na getting schooled is gold.
But this girl isn’t one to give up, and her next excuse for a trip is water, for her raging thirst. Thirst for Oppa’s blood, you mean. Ri-jin decides it’s time to take emergency measures, and uses some cord to tie Yo-na to her. Ri-jin warns her not to dream impossible dreams. Still pining for Ri-on, Yo-na eventually falls asleep.
But she does dream of Oppa, and a jerk of the cord lands Ri-jin on the floor. Still asleep, they inch closer together, and Ri-jin slips into a dream of the first time she and Do-hyun met as children. Laughing and playing, they tumble down beside each other, face to face, just like Ri-jin and Yo-na now.
Do-hyun wakes up, himself again. His eyes widen to see Ri-jin beside him. He tries to make sense of his bound wrist, but the bunny pyjamas answer his question. He settles down again, and watches Ri-jin’s sleeping face.
Her eyes open. “Yo-na?” she asks.
“I’m Cha Do-hyun,” he replies, and I’ve never been so happy to hear that line. She lets out a happy sigh. He tells her how the words he’s said and heard the most in his life are that name, Cha Do-hyun. He feels like the two of them have always been connected through it, even though they parted in their childhood.
He explains that he sent her away because he thought it would be too painful for him to see her in pain while being next to him. Instead he found it was worse when she was away from him. In other words, “Don’t go. Stay with me,” he asks her now. He folds her hand into his.
Suddenly, the lights come on and OMG RI-ON STOP INTERRUPTING THE MOMENT!!
Do-hyun and Ri-jin spring apart, struggling with their bonds while Ri-on looks on with interest. He asks what’s going on. Do-hyun tries, “Oppa?” but forgets his voice. In an adjusted falsetto, he makes an excuse to leave. Ri-on (totally on to him) blocks “her” and asks if she’s going out dressed like that.
It looks like the answer to that is “yes.” Bunny Do-hyun makes for his car and Ri-on wonders how a highschooler is going to handle driving it. Ri-jin cringes on the sidelines while Oppa has his fun.
The moment they’ve seen Do-hyun off, Ri-jin tries to escape, too. But Ri-on holds her back. That was Do-hyun right? He boasts that he knew it wasn’t Yo-na since there’s no way she’d have been able to leave him.
Alone later, Do-hyun and Ri-jin separately think about their moment with quiet elation.
Do-hyun shocks the board the next day by showing up to take charge of the Seungjin shareholder meeting. In his office, Ki-joon fumes at this turn of events. But his mood lifts when he receives a piece of mail from Alex, and finds a locker key inside.
Do-hyun tells Grandma he’ll do his best at the company, but she should temper her expectations. He says it’s not a show of modesty, but a warning. He plans to do everything his own way, and then leave on his own terms. Strangely, Grandma doesn’t look displeased at his fighting words.
Uncle tells Ki-joon that Do-hyun is a fake who took on the identity of the missing child 21 years ago. Ki-joon is floored by the revelation, but Uncle chuckles that with Seungjin, anything is possible. Ki-joon asks the important question: What happened to the real Cha Do-hyun?
Uncle must tell him, because once alone, Ki-joon ponders over Oh Ri-jin, “the real Cha Do-hyun,” and wonders what Alex’s key unlocks.
Do-hyun returns to his office, and is met by Chief Ahn — and Secretary Ri-jin. She greets him brightly and Chief Wingman explains that he took her on because of her proactivity, blah blah (riiight) but leaves it to Do-hyun to decide whether she’s hired or fired. He leaves the lovebirds alone.
Do-hyun walks right past her, and she catches his arm, reminding him he wanted them to stay together. But he didn’t mean resuming her doctor duties on a defunct contract, he points out. Playful Ri-jin urges him to just write a new one — one that omits the “thou shalt not fall in love” clause. Instead, it should say, “Parties A and B, no matter what trial they face, get through it together.”
Grinning, Do-hyun declares the reset with a snap of his fingers. Then he calls “Start!” and holds open his arms to her. Dying of cute. They’re both so happy but Ri-jin, still plays hard to get. She teases him for being desperate, but he just laughs and spins her around, into his arms.
Ri-jin and Ri-on come home from walking their dog. Ri-jin’s impersonation of flirty Yo-na quickly persuades her brother to get the dog’s food.
While she waits, Ri-jin receives a visitor: Se-gi apologizes for being late.
He wants Ri-jin to run away with him, away from their terrible memories. Both of them remember their childhood promise to run away together somewhere far away, and deliberately echoing her past self, Ri-jin says she doesn’t have money. Se-gi acknowledges it with a smile and repeats his reply then — he has lots. She takes his outstretched hand.
Ri-on finds out by text from Ri-jin that she’s left with Se-gi. Another message tells him not to worry, she can handle Se-gi.
Aww it’s the return of the Segimobile (which is a Ford Mustang, not a Ferrari — apologies!). They drive, while in voiceover, we hear the rest of her message to Ri-on. She tells him how Se-gi is the most wounded piece of Do-hyun. She’s connected to him by a common wound, so examining his is the same as examining her own, and that’s what she means to do.
Se-gi asks Ri-jin where she wants to go — her wish is his command. She asks him why he acted like he didn’t know her when they first met. Se-gi didn’t want her painful memories to surface, and confesses that he hoped she would choose him with or without them. He asks if she already remembered everything, and she’s surprised that he knows about that.
Se-gi explains how he shared memories with Do-hyun. Ri-jin finds out Do-hyun discovered the truth about his/her name, and Se-gi says the shock was so deep it made him check out.
Ri-jin asks how he came to take the name Cha Do-hyun, and we go back to the day of the fire. Little Se-gi throws a lit match on the spilled kerosene. The fire catches immediately, whooshing under the locked door, into the basement room where his dad and Ri-jin are. Dad struggles out, and catching sight of his son, calls out, “Joon-young!”
One look at his face makes Dad realize Joon-young must have set the fire. But the boy faints, and choking on smoke, Dad brings him out. Joon-young comes around and cries for Dad to rescue Do-hyun.
Dad passes his son onto a firefighter and runs back inside. Joon-young is rushed to an ambulance, unconscious, while a paramedic tries to rouse him. She repeatedly asks him his name. Struggling, he replies, “Cha…Do-hyun. My name is Cha Do-hyun.” Oh. He cries inside that it’s his fault.
Dad returns to the inferno for Do-hyun, frantically calling her name. Grandma’s voice narrates the last thing Dad said before his coma: that when he went back for her, she was already gone. We see Ri-jin’s mom at the scene of the fire, hurrying away with a hidden bundle — the girl, Do-hyun.
Grandma’s voiceover continues: Some days later, she got a letter from a friend of Seo-yeon, asking her not to look for the girl. In the fiery basement, Dad collapses.
In the time following the incident, Joon-young doesn’t respond to his name, no matter how much his mom calls him. She tries, “Do-hyun?” and he turns around immediately. Oh my chills.
Mom gathers him up in an embrace. With tears in her eyes, she agrees that he should forget everything — the fire, his father, the girl and what happened in the basement, even his own name. He can just be Cha Do-hyun, the sole heir to Seungjin.
In the present, Se-gi tells Ri-jin that young Joon-young believed she had died in the fire that day, and out of his despair and guilt, his mind created an alter in the image of her seven-year-old self. Ri-jin finally understands the mystery of “Nana,” a personality who had been dormant until Do-hyun met Ri-jin again now.
Ri-jin asks if the fire happened because of her. Se-gi replies that it was to save her. She argues that he could have died, but he smiles that she lived. We cut back to when Do-hyun found out the truth about who set the fire. Grandma realizes that his mind must have broken back then. He stumbles out, head ringing.
Memories loop and mix. Little Ri-jin’s voice inviting him to play overlaps with mom’s telling him to stay as Do-hyun. His child-self pounds at the basement door and Dad punishes Ri-jin. Se-gi revisits the memory of the scene of the fire, the first time he appeared. Looking over his younger self with sad satisfaction, he thinks, “The one who saved that child was me.”
Ri-jin worries that Do-hyun’s DID happened because of her, but their conversation is cut short when Se-gi gets a phonecall from Alex, the U.S. friend Ki-joon was investigating. He tells Se-gi that he was offered half a million for his secrets. He needs the money, but he wants his friend to make a better offer, and they arrange to meet.
Ki-joon’s secretary reports to his boss about their offer to Alex, and also tells him about the man’s gambling debt. Alex claims to know explosive secrets about Do-hyun that will ruin Seungjin, and will go to the papers unless they buy it. Ki-joon is reluctant to go along with his terms.
Se-gi tells Ri-jin that Alex is a parasite who’s lived off threatening Do-hyun since high school. While he rants about killing him, Ri-jin thumbs off a secret text to Chief Ahn about Se-gi, Alex and where they’re going.
They arrive at the meeting place and Se-gi tells Ri-jin to stay in the car. She tells him to stay — she’ll deal with this. Even though her contract with Do-hyun was terminated, her deal with Se-gi stands, which means no violence and no ruining reputations. She reminds him that he said her word was law. Trapped by his own promises, he can only curse.
The darkness of the warehouse makes her nervous. She looks for Alex, who suddenly emerges from the shadows. She introduces herself as Do-hyun’s secretary, and he tells her to double Ki-joon’s offer. But giving her a once over, he leers that he could take Ki-joon’s money if she’ll get friendly with him.
Ri-jin backs away as Alex steps closer. She flails madly, and somehow (lol hooowww?) she ends up with her fingers rammed up Alex’s nose. He bleeds and swears and oh my god, help, I’m dying so hard here.
Outside, Se-gi paces and curses, but Ri-jin’s scream sends him inside. Alex has her backed up with his hand over her mouth when Se-gi flies at him. He pulls out a knife, and Se-gi blocks it with his bare hand. He’s so enraged Alex messed with his woman that he begins to choke him.
He’s deaf to Ri-jin’s entreaties to stop, and she screams, “Cha Do-hyun!” The effect is immediate — Do-hyun returns.
In the car, Ri-jin bandages his hand. While she chatters, he just stares at her. Finding his voice, he asks if she remembers about the name “Cha Do-hyun.” He apologizes taking over her name.
He tells her, smiling, how much he likes the way she calls his name. She asks him not to be sorry towards her. Among her painful memories were also good ones, she says, such as her mom rescuing her, and little Cha-gun who kept his promise to meet her every night. When she was scared and alone, he was there for her: “The reason why my mind wasn’t shattered into pieces was probably because of you, Cha Do-hyun.”
Crying, she apologizes. Because of her, his mind was shattered. She acknowledges how hard he struggled against his other personalities, in order to protect that name. “So I’ll give it you as a gift, the name ‘Cha Do-hyun,'” she tells him. He wells up.
She instructs him to answer confidently, “I’m Cha Do-hyun,” when anyone asks, just like he used to. He wipes her tears, and the background song is perfect: “Although I can’t say ‘I love you’…I love you.”
It’s late by the time Do-hyun drops Ri-jin home. He says goodbye (but why does it still sound so final?) by telling her to be well. But everything he wishes, she turns back on him: He shouldn’t be in pain anymore, or have nightmares, or worry about her.
After she leaves, Do-hyun clutches his ringing head. A moment later…oh lol, it’s Perry Park! Dad (who finally meets the real Perry) runs into him, and is so pleased that he keeps clapping him on the head with excitement, much to Perry’s disgruntlement. Perry perks up at the mention of fishing, and the two ajusshis fall into easy banter.
Dad takes him in for a drink, and they call the (very confused) kids to join them. Dad wants to adopt Perry as his little bro instead of Ri-on’s friend, and Perry immediately calls Dad ‘hyungnim’. Dad is so happy that he orders out the special liquor, which Ri-on objects to since Dad doesn’t even give it to him.
Perry compliments Dad, saying that his daughter grew up well because her dad was so great. She’s strong and has a loyal heart — but, he confides, she really can’t dance. Dad is suspicious that they’re dating, but Perry easily dismisses it, telling hyungnim to perish the thought.
Just as he’s about to drink the hallowed liquor, his consciousness interferes. He struggles to just take one sip, but ultimately fails. He spills the precious drink and knocks out. This is the twins’ cue to rush him away before he exposes himself.
They deposit him on Ri-on’s bed. He asks Ri-jin what’s going on. But she’s as confused as he is, and they leave to discuss it. On the bed, Se-gi twitches and comes around. But I’m thinking that ain’t Se-gi…
Over tea, the siblings try to figure it out. Ri-jin thinks that because Do-hyun has been going through so much lately, the instability of his core made the alters come out. Ri-on offers his writer’s point of view, that it’s his subconscious way of staying around Ri-jin, since he can’t do that when he’s himself. But he also thinks the alters are the right people to regulate him in his shaken condition.
Returning to his room, Ri-on is shocked to find it empty. Ri-jin, on the other hand — ohh it’s Yo-sub! Wearing Ri-on’s glasses, lol.
She’s happy to see him, and the way he calls her noona squeezes my heart. He’s been reading Omega, but he doesn’t like it — it’s too lightweight, “It feels like a gash on my soul.” He confides that he wants to write a beautiful poem, but worries that time isn’t on his side. Her face fills with sorrow.
She asks him why his name is Yo-sub. He tells her about the first time he attempted suicide in high school. It sent shockwaves through his mission school, where he was then baptized and given a Christian name (“Yo-sub” is the Korean version of “Joseph”). He also tells her that he always wished he could be his sister, Yo-na (who, like her namesake Jonah, thirsts to live).
Yo-sub thinks Do-hyun is done with thoughts of suicide now. Since he doesn’t know how much time he has until he disappears, Yo-sub wants to say his goodbyes. He comes over to Ri-jin and crouches until their eyes are level. He leans in and drops a chaste kiss on her cheek.
Ri-on bursts in at the wrongest moment. He bellows at “Perry Park” for hitting on his sister and flings poor Yo-sub to the floor. But when Ri-jin tells him it wasn’t Perry, it’s too late — Yo-sub is out, and…
“Oppa~!” squeals Yo-na. Ri-on covers his ears and tries to pretend her away, which obviously doesn’t work. She tacklehugs him to the floor, intent on showering him with kisses, while Ri-jin laughs at him.
Clad in her favorite bunny pyjamas, Yo-na presides over the twins’ argument about where she’ll sleep. Ri-jin says a man can’t sleep in her room, while Ri-on splutters that he certainly can’t have a girl in his. Yo-na tires of their squabbling and makes an executive decision — Oppa’s room it is! The siblings vehemently object, leaving only one way to resolve their impasse…
Rock, Paper, Scissors: Ri-jin loses.
Yo-na primps in front of Ri-jin’s mirror, which makes Ri-jin suspicious. What’s she getting pretty for in the middle of the night? She suggests they go out for ssambap, which Ri-jin doesn’t even need to shoot down.
Next, Yo-na oh-so-casually says she’s off to the bathroom, but Ri-jin’s got her number — she knows Yo-na is looking for any excuse to be with Oppa. Yo-na’s frustration at being foiled makes her claim the bed, but Ri-jin orders her to the floor. Ohmylols, Yo-na getting schooled is gold.
But this girl isn’t one to give up, and her next excuse for a trip is water, for her raging thirst. Thirst for Oppa’s blood, you mean. Ri-jin decides it’s time to take emergency measures, and uses some cord to tie Yo-na to her. Ri-jin warns her not to dream impossible dreams. Still pining for Ri-on, Yo-na eventually falls asleep.
But she does dream of Oppa, and a jerk of the cord lands Ri-jin on the floor. Still asleep, they inch closer together, and Ri-jin slips into a dream of the first time she and Do-hyun met as children. Laughing and playing, they tumble down beside each other, face to face, just like Ri-jin and Yo-na now.
Do-hyun wakes up, himself again. His eyes widen to see Ri-jin beside him. He tries to make sense of his bound wrist, but the bunny pyjamas answer his question. He settles down again, and watches Ri-jin’s sleeping face.
Her eyes open. “Yo-na?” she asks.
“I’m Cha Do-hyun,” he replies, and I’ve never been so happy to hear that line. She lets out a happy sigh. He tells her how the words he’s said and heard the most in his life are that name, Cha Do-hyun. He feels like the two of them have always been connected through it, even though they parted in their childhood.
He explains that he sent her away because he thought it would be too painful for him to see her in pain while being next to him. Instead he found it was worse when she was away from him. In other words, “Don’t go. Stay with me,” he asks her now. He folds her hand into his.
Suddenly, the lights come on and OMG RI-ON STOP INTERRUPTING THE MOMENT!!
Do-hyun and Ri-jin spring apart, struggling with their bonds while Ri-on looks on with interest. He asks what’s going on. Do-hyun tries, “Oppa?” but forgets his voice. In an adjusted falsetto, he makes an excuse to leave. Ri-on (totally on to him) blocks “her” and asks if she’s going out dressed like that.
It looks like the answer to that is “yes.” Bunny Do-hyun makes for his car and Ri-on wonders how a highschooler is going to handle driving it. Ri-jin cringes on the sidelines while Oppa has his fun.
The moment they’ve seen Do-hyun off, Ri-jin tries to escape, too. But Ri-on holds her back. That was Do-hyun right? He boasts that he knew it wasn’t Yo-na since there’s no way she’d have been able to leave him.
Alone later, Do-hyun and Ri-jin separately think about their moment with quiet elation.
Do-hyun shocks the board the next day by showing up to take charge of the Seungjin shareholder meeting. In his office, Ki-joon fumes at this turn of events. But his mood lifts when he receives a piece of mail from Alex, and finds a locker key inside.
Do-hyun tells Grandma he’ll do his best at the company, but she should temper her expectations. He says it’s not a show of modesty, but a warning. He plans to do everything his own way, and then leave on his own terms. Strangely, Grandma doesn’t look displeased at his fighting words.
Uncle tells Ki-joon that Do-hyun is a fake who took on the identity of the missing child 21 years ago. Ki-joon is floored by the revelation, but Uncle chuckles that with Seungjin, anything is possible. Ki-joon asks the important question: What happened to the real Cha Do-hyun?
Uncle must tell him, because once alone, Ki-joon ponders over Oh Ri-jin, “the real Cha Do-hyun,” and wonders what Alex’s key unlocks.
Do-hyun returns to his office, and is met by Chief Ahn — and Secretary Ri-jin. She greets him brightly and Chief Wingman explains that he took her on because of her proactivity, blah blah (riiight) but leaves it to Do-hyun to decide whether she’s hired or fired. He leaves the lovebirds alone.
Do-hyun walks right past her, and she catches his arm, reminding him he wanted them to stay together. But he didn’t mean resuming her doctor duties on a defunct contract, he points out. Playful Ri-jin urges him to just write a new one — one that omits the “thou shalt not fall in love” clause. Instead, it should say, “Parties A and B, no matter what trial they face, get through it together.”
Grinning, Do-hyun declares the reset with a snap of his fingers. Then he calls “Start!” and holds open his arms to her. Dying of cute. They’re both so happy but Ri-jin, still plays hard to get. She teases him for being desperate, but he just laughs and spins her around, into his arms.
